Term Papers (Music, Film & Photography)
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5 pages in length. To say that much has changed within the motion picture industry over the past century would be a grand understatement. Ever since the advent of the moving picture, crafty developers and creative directors have endeavored to perfect what has come to be one of the most popular and influential mediums of entertainment. The writer examines the progression of films from the late 1800's to current day, focusing upon the roles women, minorities, drugs and censorship have played. Bibliography lists 6 sources.
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An 8 page paper discussing the film industry's pre-Hollywood days, when nearly all movies were made in the East. Astoria studio is highlighted in discussing the state of the industry and the stars of the day, most of whom hated having to move to California where there was largely a cultural wasteland. Gloria Swanson even feigned illness that had to be treated in New York so that she could return to the East for the duration of her career. Includes a 1 page sentence outline. Bibliography lists 15 sources.
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A 25 page paper discussing art films and commercial films. Commercial films are described as films which most of the public has access to. They are films which are designed to entertain and uplift. They are also offer a major escape from daily reality. The art film is usually a thought provoking, and often disturbing, piece of work which is not normally available to most of the public. The art films discussed in the paper are easily recognizable in order to enable the reader to better understand the differences. They are films designed to address some concern or reality and are not necessarily hopeful or uplifting. This appear discusses the characters, scenes, plots, public opinion, and realities which are involved in both forms of film. Bibliography lists 15 sources.
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A 12 page overview of the film industry focusing on the legal, economic and technical means of production, and the ways in which film is distributed in the current marketplace. The writer discusses this in terms of recent changes in the industry and how these changes have affected the business decisions behind distribution. Bibliography lists 27 sources.
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An 8 page paper discussing movies and the home entertainment industry, with concentration on the video rental and sales market segments. The paper gives an overview of the industry and briefly discusses the recent business results of four major companies involved in the industry: Fox, Disney, Time Warner and Universal. Short profiles of each are included, as is a general forecast of the likely future of the industry. Bibliography lists 10 sources.
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The birth of the company is discussed in a 5 page paper. Background information, political climate, reasons for the formation of the studio that was created by Charlie Chaplin, Mary Pickford, Douglas Fairbanks and D.W. Griffith, are all included. Bibliography lists 8 sources.
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A 4 page comparative of these three actor/directors. The writer posits that the three compare in performing their own stunts, and perfectionist preparation of scenes. Their personal lives vary somewhat, but their intent is to perform their art. Bibliography lists 6 sources.
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An 8 page discussion of Bud Abbot and Lou Costello and their important contributions to American Humor. Bibliography lists 4 sources. Abbot &
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A 5 page character analysis of Don Lockwood and Kathy Selden, played by Gene Kelley and Debbie Reynolds. The characters are analyzed individually, together and with respect to the story-line and theme of the film Singin' in the Rain. No bibliography.
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This 15 page paper analyzes the Gotta Dance/Broadway Melody sequence in the 1952 film, Singin' in the Rain. The sequence just prior to this one is discussed in terms of its importance to the meaning of the Gotta Dance sequence. The scenes are described and analyzed for effectiveness and meaning in the film as a whole. Bibliography lists 1 source.
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A 6 page argumentative essay that Woodrow Wilson was supportive of D.W. Griffith's racist film because the nation needed a reminder of its recent past--to fight internal imperialism. The author discusses the film in both artistic and thematic terms, and how at least part of Griffith's intent supported Wilson's view for the future of America Bibliography lists 7 sources.
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A 12 page paper which charts the evolution of the Hollywood studio system following World War I and examines why it became the dominant force in world cinema. Bibliography lists 9 sources.
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A 7 page paper on sexism, the "gender war," and the overall treatment of women in film. "Boomerang," "A Stranger Among Us,"and "Man Trouble," are among the many movies used to illustrate the writer's points. Stereotypes and the subtly of sexism are explained as the writer presents some recommended suggestions for change. Bibliography lists 5 sources.
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Hispanic women portrayed in American film are discussed in this 8 page paper. Pointed out is the fact that while women's roles have evolved in the industry the Hispanic female is still stereotyped and little work is available for serious Spanish actresses. The releases of such movies as Selena and Evita are discussed. Bibliography lists 7 sources.
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A 10 page paper that provides an overview of two of the films by Malle and Godard and reflects upon the mis-en-scene and the role of women in each. Bibliography lists 2 sources.
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This 27 page research paper explores the contributions of women directors to American cinema. Specifically discussed are the films of Lois Weber, Dorothy Arzner, Ida Lupino, Elaine May, Joan Micklin Silver, Claudia Weill and Susan Seidelman and their depiction of male and female characters. Bibliography lists 14 sources.
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This 12 page paper looks at the postmodern film and its essential elements. Also discussed is the difficulty inherent in defining the term "postmodern." Several contemporary movies are analyzed in detail including The Crying Game, Trainspotting and Pulp Fiction. Bibliography cites 12+ sources.
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A 100 page research paper which argues that the films of director Andrei Tarkovsky is best understood as visual poetry rather then as films told in the usual narrative tradition. In order to effectively argue this position, the writer first presents a history of the cinema, a brief history of poetry, and a detailed look at the career of Andrei Tarkovsky. Bibliography lists 22 sources.
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A 10 page exploration of third world film as a revolutionary vehicle, as well as an aesthetic art form. The writer posits that the importance of the revolutionary themes is what sets third world films apart from the more glamorous films of developed countries. The paper focuses on a brief catalog of filmmakers, and focuses on the style of and two films by Cuban Tomas Gutierrez Alea. Bibliography lists 9 sources.
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This 5 page research paper examines the evolution of motion picture comedy by discussing the major works of Charles Chaplin, The Three Stooges, Buster Keaton, the Marx Brothers and Woody Allen. Bibliography lists 9 sources.
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This 5 page research paper examines how films created myths concerning the U.S. involvement in Vietnam. Specifically discussed are films such as Apocalypse Now (1979) and Full Metal Jacket (1987), and the myths they created and exposed for audiences. Bibliography lists 4 sources.
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This 7 page report discusses three Vietnam War movies in the context of their symbology and the ways in which they represent the attitudes of Americans directly involved in the war and those presenting their cinemagraphic viewpoints of a war that did not have the simplistic good guy against bad guy scenario. By the late 1980s, both television and movie producers had become willing to consider Vietnam as a useful and marketable topic. Ironically, and more than probably - accidentally, America's artistic involvement in Vietnam has mimicked its military presence there. Bibliography lists 7 sources.
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This 6 page research paper examines two different war films made in two different decades, The Green Berets (1968) and Casualties of War (1989). Specifically discussed are how the two films reflect the decades in which each were made, the world at the time, changes in audience tastes, etc. Bibliography lists 5 sources.
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A 5 page paper which compares and contrasts how Vietnam War films Apocalypse Now and Platoon approach history by examining their use of visual images and manipulative techniques to tell their stories. Bibliography lists 4 sources.
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This 7 page paper explores Speilberg's 1998 film about World War II. The focus of the paper is on what exactly was learned about the war from this realistic depiction. Bibliography lists 3 sources.
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This 5 page report creatively discusses the possibility a fictional film about the Persian Gulf War entitled 'Forty-Three Days Later.' The writer creates a movie to illustrate the overriding technological superiority of the U.S. military and the bloodless means of devastation modern warfare is able to create. Bibliography lists 3 sources.
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This 3 page paper considers the nature of revolution as it is related in Director Gillo Pontecorvo's The Battle of Algiers and considers a comparison between the events related in the story and the argument that political rebellion resembles an avalanche: Once it is started, it continues to progress and cannot be stopped. No bibliography.
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A 5 page paper discussing the film in relation to the reality of actual events. Reviewers found several production mistakes within the film and labeled the acting as lacking, but many vets still refer people to the film rather than to answer questions in detail, even 30 years after the fact. The difficulty rests in knowing that it depicts reality far too faithfully so that many vets cannot bear to watch it, and those who were present direct questioning people to the film, thereby repelling unwelcome questions. Bibliography lists 4 sources.
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An 8 page paper discussing avant-garde film's grounding in the visual arts rather than in the traditions of narrative cinema. Without question, the process of filmmaking remains the same between the two categories, but each has very different points of focus from which they originate. Casual movie-goers expect to be told a story when they set out to view a film made from the narrative perspective, but the aficionados of avant-garde understand that, while a story may be integrated in the work they are about to view, the primary point of focus is that of visual art analogous to that which can be found in any art gallery featuring work in serial progression. Bibliography lists 11 sources.
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This 5 page research paper examines director Spike Lee's 1989 film, Do The Right Thing. Specifically explored is how the film conveys its ethical message, and evaluates the soundness of the arguments it presents, based on established ethical criteria.
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